ECLIPSE – 7th Athens Biennale
September 24 - November 28
September 24 - November 28
September – November 2021
at Schinkel Pavillon, 24. July 2021
Game sessions from 20 - 26 June
Beta Version Box - Workshop for Digital Theatre, 26 March, 18:00-20:00
Open to public: March 15 – May 2! as part of: 3hd festival, created by Creamcake
MycoTV returns for its third edition featuring featuring: Zoë Claire Miller, Philipp Timischl, Mona Varichon and Bruno Zhu. 2-6 March on ICA’s Cinema 3.
Viktor Timofeev assembled a radio program, including our new sound piece ‘Phantom Foray’. Tune in via Montez Press Radio, 27 October, 7pm EST (00:00 CET). Full...
available to download for both MacOS and Windows via Gossamer Fog / Antechamber.
Daily: 15 June - 19 June 6pm - 8pm BST (GMT+1)
The Mycological Twist x Chaos Magic
16 August – 28 September 2019
‘Ghost Camp 3’ took place in July 2019, hosted by The Mycological Twist & Chaos Magic. This exhibition brings together documented contributions from the artists and researchers who joined the camp with readings, cooking sessions, troll stories and mushroom paper making and foraging.
Contributors: Eloïse Bonneviot, Anne de Boer, Natalie Hurst, Angela Chan (WORM), Theo Reeves-Evision, The Trees That Yield (Hannah Lees), Alex Lennox-Warburton, Alexander William Mobbs-Iles
Ghost Campers: Lea Collet, Wouter Van der Hallen, Alice Vodoz, Alexander Mobbs-Iles, Jack Lavender, Amy Matthews, Alex Lennox-Warburton, Joey Holder, Hannah Parikh, Theo Gilmour-Rees, Ryan Heath, Joseph Winsborrow.
Ghost Camps are communal camping moments where participants are invited to reimagine the traditional mythologies around the Left through workshops, readings and screenings. This year, a collaboration between The Mycological Twist and Chaos Magic, we gathered at the edge of Sherwood Forest near Nottingham.
Sherwood – home of the mythical Robin Hood, stealing from the rich to give back to the poor – a testimony to the power of storytelling as a form of resistance. While later iterations added the trope of Mariane and a noble affiliation, its origin speaks of a commoner with disdain for the highborns. The move to ‘tame’ Robin Hood character by painting it as a less controversial figure speaks volumes. The wood as a place where one withdraws from power is another notable character in this folk myth. It is a shelter that functions as an extension to the city. The proximity of the forest with Nottingham allows for a porosity, ideal for Robin Hood’s guerilla actions. The forest, thus, becomes a political agent intertwined with the fate of Nottingham’s citizens.
In this edition we wanted to look at the woods as a place where mythologies are built and easily imagined. Before Sherwood Forest gained fame through Robin Hood, the vikings used this forest as to meet and hold assemblies. Wandering the same landscape we imagine and explore the way mythological characters emerged from forests and plains, changing their characteristics through day and night.