The Mycological Twist will perform a new EDUCATIONAL DJ/VJ-SET as part of the exhibition ‘Sortir du Désenchantement du Numérique’ (Escaping the Digital Unease –...
As the winter is almost there, leaves of trees and shrubs have slowly turned brown, and begun a new adventure. Various shades of red, yellow, purple, black, orange, pink, magenta,...
1 December 2018 - 26 January 2019
the Mycological Twist is part of: You will get the map later, an online project by Holly White. With contributions by: Luki Jaakko Pallasvuo the Mycological Twist DW Designs...
14.9.2018 / 16.00 The Mycological Twist in cooperation with Leslie Kulesh with contributions by YGRG, Holly White, OMSK Social Club, Joey Holder, Huw Lemmey, Raffael Dörig and...
Read our interview with Penny Rafferty for Berlin Art Link here: berlinartlink.com Related: the Mycological Twist has moved to Paris 🌟🌟🌟 Respawn (2014) Official Trailer 🌟🌟🌟 on...
This project was conceived in collaboration with the team of MÉLANGE. Reacting to a video is essentially the same as to any other art work. Our challenge with moving images, or...
Photographs by Jan van Oordt The logs that where part of Ghost Camp exhibited during ‘Escaping the Digital Unease’ at Kunsthal Langenthal are happily rotting away in the Swiss...
The Mycological Twist has changed location and will, from 2018 on, operate from a garden in Athis-Mons near Paris. We look back at a very special time at Jupiter Woods which...
Anne de Boer
Eloise Bonneviot
Viktor Timofeev
Joey Holder
Gaile Pranckunaite
Dorota Gawęda and Eglė Kulbokaitė
Anna Mikkola
Christopher Kulendran Thomas & The Mycological Twist
curated by Annika Kuhlmann and The Mycological Twist
14 October – 25 November 2017
House of Egorn, Berlin
The environment is not kind. Bears and wolves will chase and kill you. Falling from a height will kill you. Being exposed to radiation for an extended period will kill you. Starving will kill you. Being cold will kill you. Other players can find you, kill you, and take your stuff. Fortunately for you, you can kill others and take their stuff.
Rust’s world is harsh. We provide the tools. How you survive is up to you.
Photography by Joseph Devitt Tremblay.
Eloise Bonneviot, Friends and Foes – Potholing, 2017, Carbon fiber, resin, digital print on fabric, mixed sports gear, Dimensions Variable
Viktor Timofeev, Permanence Elevator, and Crack 2, 2017, in the Porcelain, both couloured pencil on paper, 30×21 cm
Joey Holder, Porphyrin: a chemical substance common to blood, plants, and petroleum, 2017, digital print and flatscreen TVs
Eloise Bonneviot, Friends and Foes – Hill Walking Winter, 2017, Carbon fiber, resin, digital print on fabric, mixed sports gear, Dimensions Variable
Gaile Pranckunaite, Dwelling in plastic fossil landscapes, 2017, 11 audio tracks, 33 minutes, headphones and MP3 players
Gaile Pranckunaite, poster for r u still there?, 2017, Digital print on transparent vinyl
Gaile Pranckunaite, Dwelling in plastic fossil landscapes, 2017, 11 audio tracks, 33 minutes, headphones and MP3 players
Anne de Boer & ecksensis.net, So here I am now, 2017, Mixed Media, Dimensions Variable
Eloise Bonneviot, Friends and Foes – Hill Walking, 2017, carbon fiber, resin, digital print on fabric, mixed sports gear, Dimensions Variable
Anne de Boer & ecksensis.net, So here I am now, 2017, Mixed Media, Dimensions Variable
Viktor Timofeev, Stairway to Melon 2, 2017, Acrylic on canvas, 130x180cm
Anna Mikkola, Don’t They Ever Stop Migrating?, 2017, HD video, 3 min, plexi glass 170x100cm
Christopher Kulendran Thomas & The Mycological Twist, 60 Million Americans Can’t Be Wrong, 2017, HD, 31 minutes
Anne de Boer & ecksensis.net, So here I am now, 2017, Mixed Media, Dimensions Variable
Dorota Gaweda & Egle Kulbokaite, The Young-Girl Smells (V), 2017, Hand Scratched Aroma Diffuser, fragrance ‘Body AI’ (produced with support of IFF inc., in collaboration with Caroline Dumur)
Dorota Gaweda & Egle Kulbokaite, The Young-Girl Smells (V), 2017, Hand Scratched Aroma Diffuser, fragrance ‘Body AI’ (produced with support of IFF inc., in collaboration with Caroline Dumur)
